The Hiding Place - Provision Theatre
"The play focuses on the camp’s inhumane mechanics, aided by Chris Kriz’s layered, disorienting sound design."
-Time Out Chicago
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Wreck Of The Medusa - The Plagiarists
“Christopher Kriz's sound design is so evocative as to be almost physical, especially during the shipwreck.”
-On Chicago Theatre
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Master Harold....and The Boys - TimeLine Theatre
"The lighting by Heather Gilbert sets the mood as does the sound by Christopher Kriz. We feel the rain that is created by sound and light as if it were truly a storm."
-Steadstyle.com
"Sound designer Christopher Kriz implements rumbles of thunder or surges of rainfall to parallel the increased tension and shifting emotions."
-Loyolaphoenix.com
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The Pillowman - Redtwist Theatre
"Christopher Kriz’s original music and sound design add both authenticity to the representation and sinister atmosphere to the presentation."
-Chicago Stage Review
"Sound designer Christopher Kriz immerses the audience into a dank and cramped bunker."
-Broadway World
"I must point out the excellent work of Christoper Kriz, credited with Original Music and Sound Design. Kriz keeps an eerie drone underscoring the entire show, whether it’s just a water drip or a soft hum coming from somewhere undetermined, and the effect is very unsettling."
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Lettice & Lovage - Redtwist Theatre
"Director Scott applies his customarily precise focus to this Redtwist production. He doesn’t lack for polished assistance: Jack Magaw and Christopher Kriz supply masterful set and sound design, respectively."
-Time Out
--------------------------------------------------------------------------------The Ruby Sunrise - The Gift Theatre
"John Horan’s lights enhanced the mood and tone of the play, as did the sound design by Christopher Kriz."
-chicagocritic.com
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bobrauschenbergamerica - Chicago Fusion Theatre
"...the sound design of Christopher Kriz really sings."
-Chicago Free Press
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The Walls - Rivendell Theatre
"Chris Kriz’s sound design helped create a highly unique aural atmosphere while providing a chilling final coda to the evening. "
-Chicago Theatre Addict
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The Ride Down Mount Morgan - Redtwist Theatre
"Adding to the solid production is the sound design by Christopher Kriz (with some clever music in the background)."
-steadstyle.com
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A Taste Of Honey - Shattered Globe Theatre
"Christopher Kriz's sound direction, which includes the noises of the surrounding streets and the upbeat jazzy tunes of the period, establishes an ideal tone."-Centerstage
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Golda's Balcony - Pegasus Players
"Janet Ulrich Brooks commanding performance is subtly supported by Christopher Kriz's mournful background music."
-Chicago Reader
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Jitney – Pegasus Players
“The beautifully designed soundscape of street traffic adds a subtle realism outside the office that permeates the interaction of the men who reveal more and more about themselves and their lives as we peer into their world.”
-Broadwayworld.com
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Angels In
“A prelude in which anonymous hands pass a candle from panel to panel to a sound collage by Christopher Kriz of hymns, arias, disco music and the national anthem presents its own startling microcosm of
–Chicago Sun Times
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Pantomime – Pegasus Players
“The superb atmospheric support by Sound Designer Christopher Kriz, creates an idyllic and memorable tropical treat.”
–Steadstyle.com
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Broadway Bound – Pegasus Players
“Christopher Kriz's sound and music are perfect.”
–Salsa Chicago
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An Unobstructed View – Pegasus Players
“Directors Jeff Ginsberg and Susan Padveen keep things moving briskly along, aided immensely by Christopher Kriz’s ultra-specific sound design.”
-Windy City Times
